Visual
Archive

A working archive of collages, printed pieces, pitch pages, reference boards, typography, layouts, and visual fragments.

Some pieces are finished artifacts. Others are working materials: images, textures, type studies, page systems, and reference trails that helped define the look and language of a project.

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What We Do

Modes of Work

Multimedia Collage + Commissions

I create original collage and multimedia image work, including physical collage, digital collage, scanned material, type treatments, print pieces, framed works, and custom visual commissions.

The work can be personal, editorial, project-based, or made for a specific space, film, event, publication, or creative brief.

I use found imagery, archival material, books, magazines, photographs, typography, and physical ephemera to build compositions that feel textured, specific, and alive.

Archival Material

I research and source archival material for documentaries, films, creative projects, and visual strategy. This can include rare footage, hard-to-find images, frame grabs, storyboards, reference libraries, color studies, typography, objects, locations, printed matter, and source material pulled from digital archives and my own physical collection.

The work ranges from documentary research and footage sourcing to building visual reference systems for pitches, music videos, brands, films, and creative development. I look for the material that gives a project specificity: the image no one expected, the texture that unlocks an era, the piece of footage that changes the story, the reference that makes the direction click.

This practice also connects to preservation. I am interested in how archival material is found, protected, contextualized, and carried forward, including through institutional research and my involvement with groups like the Archival Producers Alliance.

Design in Use

I create the visual materials that help a project become legible, tactile, and ready to share: reference boards, pitch decks, lookbooks, printed pieces, packaging, magazine layouts, fabricated props, motion graphics, and video editing.

These materials can live at different stages of a project. Some help define the direction early. Some are built for a pitch, a shoot, a screen, or a printed object. Others become part of the finished work itself.

This part of the practice is about turning visual instinct into usable material — pages, objects, sequences, and designs that help the work become clear.

Favorite Projects

Featured Artifacts